Groundbreaking AI Artwork Sells for Millions at Christie’s Auction
In thе ever-evоlving lаndscаpe оf thе аrt world, а new erа hаs dаwned—onе where аrtificiаl intelligence ...
In thе ever-evоlving lаndscаpe оf thе аrt world, а new erа hаs ...
let your desires come up in pure art
let your desires come up in pure art
In thе ever-evоlving lаndscаpe оf thе аrt world, а new erа hаs dаwned—onе where аrtificiаl intelligence ...
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Casino games with an art theme delight us with amazing graphics, a wonderful soundtrack, immersing us ...
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Are you ready to get started on your chalkboard painting project and transform your furniture or ...
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Diving into the world of art can be as enthralling as it is daunting. Embarking on ...
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Drawing tablets with screens have revolutionized the way digital artists bring their creative visions to life, ...
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Throughout the course of history, art has emerged as a pivotal medium for showcasing human creativity. ...
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Author: Sergey Gushchin
Plus, we show a section of young art, a fragment, this word gave the name to the gallery. First of all, many people do not accept contemporary art, reject it, they are afraid to understand and understand. But I believe these are all temporary difficulties. It is necessary to actively work with the audience, try to interest it, start speaking the same language. We work with young artists under the age of 35, but this is not the most important thing. First of all, we pay attention to the projects that the artist makes, his track record.
The past exhibitions, the collections in which his works ended up, are there any residences, participation in the Biennale, and so on – all this helps determine how promising an artist is, how important his career and professional growth are to him. I also try to ask for advice from the curators we work with, I go to art reviews of art school graduates.
This is a systematic work, and I must say that we are always in search of good projects and new artists. I am sure that the market will develop, but this development is impossible without the participation of all interested parties, not only from the gallery business, but also from the public, cultural institutions, and the state in the end. I define my tasks as work to promote and create a career for artists not only in Estonia, but also abroad, as well as interaction with a wide audience, which could potentially be interested in contemporary art.